"The film's visual style is one of rigorous simplicity. Nykvist does not use a single camera movement for effect. He only wants to regard, to show. His compositions, while sometimes dramatic, are mostly static. He uses slow push-ins and pull-outs to underline dialogue of intensity. His gaze is so unblinking that sequences with the potential to be boring, like the opening scenes of the consecration and distribution of hosts and wine, become fascinating: More is going on here than ritual, and there are buried currents between the communicants. Nykvist focuses above all on faces, in closeup and medium shot, and they are even the real subject of longer shots, recalling Bergman's belief that the human face is the most fascinating study for the cinema."