"Ozu’s is a cinema of cumulative impact. The film’s early scenes delve into the cluster of families around Tomi and Shukishi – busy doctor Koichi; no-nonsense hair-salon owner Shige; sweet widowed daughter-in-law Noriko – observing their variously neglectful or dutiful relations with little or no introduction. Shukishi goes on a sake binge with old pals and they discuss their estrangement from, and disappointment with, their offspring. You could say that learning to deal with disappointment is the philosophical, even religious, heart of ‘Tokyo Story’. And the way Ozu builds up emotional empathy for a sense of disappointment in its various characters is where his mastery lies. "