"There's something cheerfully perverse about filming a thriller and then tossing out the parts that would help it make sense, but Wim Wenders has a certain success with the method in "The American Friend." He challenges us to admit that we watch (and read) thrillers as much for atmosphere as for plot. And then he gives us so much atmosphere we're almost swimming in it; his 1979 movie was the most expensive production to date from the German New Wave, and one of the most visually rich. "
Sobre o filme
Prémios e nomeações
Áudio e legendas
- Versão original com legendas em português
- Áudio Inglês